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'Moon Rising' Rachael Errington Acrylic with resin finish 1100mm diameter |
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'Sunrise' Rachael Errington Acrylic with resin finish 1200mm x 1200mm |
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'Red Tree' Rachael Errington Acrylic on stretched canvas | 455mm x 610mm |
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'Mini' Rachael Errington Acrylic on board | 500mm dia |
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'Autumn Love' Rachael Errington Hand painted print on stretched canvas 800mm x 1100mm |
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'Morning Meadow' Rachael Errington Hand painted print on stretched canvas 800mm x 1100 |
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'Close To My Heart' Rachael Errington Hand painted print on stretched canvas 800mm x 1100 |
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'Summer Days' Rachael Errington Hand painted print on stretched canvas 800mm x 1100 |
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'Morepork' Rachael Errington Mounted boxed framed limited edition print 300mm x 400mm |
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'NZ Hawk' Rachael Errington Mounted boxed framed limited edition print 300mm x 400mm |
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'Thistles' Rachael Errington Mounted boxed framed print 300mm x 400mm |
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'Misty Morning' Rachael Errington Mounted boxed framed print 300mm x 400mm |
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'Arrowtown' Rachael Errington Mounted boxed framed print 300mm x 400mm |
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'My Pathway' Rachael Errington Mounted boxed framed print 300mm x 400mm |
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'Voilet Haze' Rachael Errington Mounted boxed framed print 300mm x 400mm |
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"I grew up living in the middle of an English wood, where my brother and I spent most of our time making dens and treehouses. It is undoubtedly this experience that created my fascination with painting trees. I would stand for ages with both hands on a tree, trying to see if there really are tree spirits. I believe there are.
I studied fine art, textiles and then a BA hons in Illustration in the UK; all of which directed me into the way I paint now. After years of traveling I moved to New Zealand ten years ago, and got lost in the diversity of the landscapes that I was surrounded by. From doodling intricate ballpoint pen drawings to loose wash watercolours; I’ve always been trying to capture the images that I see. As time has progressed, the tree and nature paintings that I create have taken on a life of their own; I try to push new boundaries of perception and dimension to the eye. I recreate the texture of bark with modelling paste and other ‘secret’ mediums that are tactile and 3-dimensional, giving the paintings a sense of realism that draws the viewer in further. I’m endlessly fascinated with using different techniques to recreate the vibrant colours I see in nature. Painting and art is my passion; it’s all I ever want to do. The tree paintings are an extension of that passion." |
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