ROZ SPEIRS - GLASS ART
Roz Speirs - Porthole's
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'Mystic Sea and Sky Porthole'
Framed hand painted fused glass 117mm diameter $195 |
SOLD 🔴
'Abel Tasman Monument Porthole' Framed hand painted fused glass 117mm diameter $195 |
SOLD 🔴
'Orange Glow Porthole' Framed hand painted fused glass 117mm diameter $195 |
'Golden Glow Porthole'
Framed hand painted fused glass 117mm diameter $195 |
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SOLD 🔴
'Beyond The Headland Porthole' Framed hand painted fused glass 117mm diameter $195 |
'Dipping Behind The Hills Porthole'
Framed hand painted fused glass 117mm diameter $195 |
'I See You Porthole'
Framed hand painted fused glass 117mm diameter $195 |
'Stillness at Sunset Porthole'
Framed hand painted fused glass 117mm diameter $195 |
Roz Speirs - Sunburst's
Roz Speirs - Enchanted Forest's
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Enchanted Forest Series
'Winter Blues' Framed Fused Glass 275mm x 225mm $395 |
SOLD 🔴
Enchanted Forest Series 'Crisp Winter Air' Framed Fused Glass 275mm x 225mm $395 |
Enchanted Forest Series
'Silvery Blue Day' Framed Fused Glass 275mm x 225mm $395 |
SOLD 🔴
Enchanted Forest Series 'Golden Depths' Framed Fused Glass 275mm x 225mm $395 |
Roz Speirs - Horizon's
Roz Speirs - Glass Flower Bowl's
ARTIST'S BIO:
ROZ SPEIRS
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A garage clear out, a night of insomnia, and a creative itch that needed to be scratched led
me to the intoxicating world of fused glass in 2014, and I abandoned the corporate world and my “proper job” for a more colourful, creative life. I emigrated to Nelson, New Zealand from Scotland in 2002, attracted by the lifestyle, climate and landscape. I am inspired by the beauty around me: vast and expansive landscapes and seascapes; dramatic weather patterns which can change in an instant, and the vibrant colours of the changing seasons. I work with a combination of sheet glass, crushed glass and glass powders to create textured evocative, landscapes, seascapes and sculptural pieces that capture raw, organic essence of New Zealand. Natural elements such as pure silver foil and mica also feature in my work. I am drawn to the translucent nature of glass and how it is transformed by light. I like to fuse at lower temperatures to retain the texture of the glass which adds extra depth and dimension. |